” … is an international network of folklorists, which promotes scientific contacts between researchers, publication work and research training. In striving to meet its objectives it invites outstanding and active researchers from across the globe to become members. Folklore Fellows operates under the auspices of the Finnish Academy of Science and Letters. The membership forms an editorial advisory body on the Academy’s Folklore Fellows’ Communications series, and participates in organising the research courses of the Folklore Fellows’ Summer School. The activities of the Folklore Fellows are related in the Folklore Fellows’ Network bulletin. “
29. Jun. 2015
29. Dec. 2014
29. Dec. 2014
The articles featured in this volume concern folkloristics, philology, comparative linguistics, cultural geography, iconography, Old Norse studies and the history of religion in Scandinavia, but in particular they concern the questions of whether, how and to what extent late-recorded material can be used to shed light on historically much earlier periods. It is a blunt fact that our sources for the study of pre-Christian times in Northern Europe are few, fragmentary and immensely limited. However, it is possible to obtain new and relevant information if we broaden our spectrum of sources to include not only contemporary or near-contemporary material, but also material from subsequent, even much later, periods. Showcasing that and how this may be done is the aim of the present volume. Seeking to reopen discussions that have been silent for some time, these articles, each in their way, target a range of methodological issues that are in need of being updated for the twenty-first century.
The call for applications for the next Folklore Fellows’ Summer School to be held at Turku University’s research station on the island of Seili in the Turku archipelago, 11–18 June 2015 has been due to technical problems extended until October 6, 2014 (the form closes at 11.45 pm UTC+2).
The theme of the international summer school, the ninth to be organised in Finland, is investigation of the Internet and digital culture from a folkloristics perspective. The keynote speakers include Anneli Baran, Trevor J. Blank, Lauri Harvilahti, Robert Glenn Howard, Timothy Lloyd, Lynne S. McNeill, and Jaakko Suominen.
16. Sep. 2014
Art Leete, Guileless Indigenes and Hidden Passion: Descriptions of Ob-Ugrians and Samoyeds through the Centuries
This monograph is aimed for discussing the views of the character of the Khanty, Mansi and Nenets by authors of different periods. Changes of general ideas about the inhabitants of the Arctic has had a remarkable, albeit often concealed, role in the development of the research on northern peoples. The author examines the image of northern peoples beginning from ancient Greek and Roman accounts of peoples, medieval sources, modern travel journals and ends up with the analyses of contemporary scholarly writings. The book is an attempt to explore the general background of ideas and the scientific methodology that frames changes in this knowledge about the peoples of the North. The theoretical framework of this monograph is related to the dialogue between modern theories of identity and the historical modes of description. Conceptualisation of northern peoples have been affected by period-specific dominant modes of thinking about culture and appropriate ways to present one’s viewpoints.
10. Sep. 2014
The call for applications for the next Folklore Fellows’ Summer School to be held at Turku University’s research station on the island of Seili in the Turku archipelago, 11–18 June 2015 is now open. The theme of the international summer school, the ninth to be organised in Finland, is investigation of the Internet and digital culture from a folkloristics perspective. The keynote speakers include Anneli Baran, Trevor J. Blank, Lauri Harvilahti, Robert Glenn Howard, Timothy Lloyd, Lynne S. McNeill, and Jaakko Suominen.
23. Jul. 2014
30. Dec. 2013
Lotte Tarkka, Songs of the Border People: Genre, Reflexivity, and Performance in Karelian Oral Poetry
Rune-singing in the Kalevala meter is one of the few European oral poetries to survive the long nineteenth century. In her comprehensive study of the poems collected in the Archangel Karelian parish of Vuokkiniemi, Lotte Tarkka places this tradition within historical and ethnographic realities, contexts of local and elite ideologies, and the system of folklore genres. The songs of the border people emerge as praxis, the communicative creation of individual and collective identities grounded in a mythic-historical view of the world. The bond between the songs and their singers is articulated through an intertextual analysis of key cultural themes and the textual strategies used in their elaboration. In performance, singers and their audiences could evoke alternative realms of experience and make sense of the everyday in dialogue with each other, supranormal agents, and tradition. The poems, as powerful representations and performatives, endowed those who voiced them with godlike creative capacities, as coined in the proverb “The things I put into words, I make real.”
30. Dec. 2013
20. Aug. 2013
Theoretical Milestones: Selected Writings of Lauri Honko, edited by Pekka Hakamies and Anneli Honko
Lauri Honko (1932–2002) was among the leading folklorists of his time. In particular, he developed theories and concepts relating to folk belief, genre and epic. The present collection represents a selection of Honko’s key articles, which he considered worthy of republication himself. They relate to Honko’s own research, to the debates and discussions he took part in; some are introductions to article collections produced by groups of researchers.
Honko’s writings combine a typically strong empiricism with clear theoretical thought. His own theoretical framework was above all one of functionalism, within which he united other currents within folkloristics, such as ‘composition in performance’, ‘ecology of tradition’ and ‘textualisation’. He was occupied by the question of how the individual performer used folklore, be he a teller of proverbs or jokes, a singer of oral poetry or a producer of written epic.
Honko was at no stage a representative of the traditional ‘Finnish school’ of folklore research, and origins and developments were a research challenge to him particularly from the perspective of how folklore adapts in different ways to its setting and circumstances of performance by means of variation, and how regularity may be discerned within this.